At the 2026 Cannes Film Festival, Netflix secured multiple acquisitions including the Critics Week opener 'In Waves' and approached other breakout titles, while Paramount closed on Florence Pugh's The Midnight Library; meanwhile, AI companies held elevated presence as traditional studios remained sidelined.
ReadingStreaming has fully displaced theatrical as the primary acquisition mechanism at Cannes. Studios' absence signals capital reallocation—theatrical releases are now secondary to direct-to-platform capture. Independent producers and talent now pitch streamers first, studios second. Cannes follows where capital moves.
WatchWhether the fall festival circuit (Venice, Toronto) replicates the Netflix volume-buying model or if studio absence is now permanent across all major festivals. If permanent, festival dynamics reorganize around streamer preference scheduling by 2027.